Skip to main content

Review: The Widow Clicquot, by Tilar Mazzeo


The Widow Clicquot is the story of the woman behind one of the world’s most famous and iconic champagnes. Barbe-Nicole Ponsardin Clicquot was born in 1777 in Reims, and married an idealistic dreamer at a young age. When he died, Barbe-Nicole entered his family’s business, and proved herself to be a shrewd businesswoman. Barbe-Nicole survived the French Revolution, the Napoleonic wars (during which Napoleon apparently said that the vineyards of the Champagne would make perfect battlegrounds), and the civil wars of the mid-nineteenth century. She was a diminutive, nondescript woman, but she proved herself a force to be reckoned with in the champagne industry, turning a local curiosity into an international brand.

The book is a combination of things: its part biography, part story of the Veuve Clicquot empire, and part history of champagne-making in general (surprise! It wasn’t the French who discovered the art of creating the now-famous bubbles). Although Barbe-Nicole was one of the most famous businesswomen of the nineteenth century, there’s not much biography here, per se: the author tries to fill in gaps with a lot of conjecture, using phrases such as “perhaps she felt…” and “maybe…” Generally, storytelling that way is for me an attempt by an author to put words into people’s mouths or thoughts into their heads that they might not actually have had. However, I thought the historical detail was quite good, as well as the descriptions of the techniques used to make champagne. Even I, as a non-connoisseur, was able to grasp what was going on there.

However, I expected more of a biography; I was really drawn by the story of a completely average woman accomplishing extraordinary things. But what the reader is given here works, too: a lot of the book shows the author’s passion for wine and its production. I just wish that there had been a bit more focus. That said however, the book inspired me to track down a bottle of Veuve Clicquot, just to see what all the fuss was about. This is the kind of book that’s perfect for wine and champagne lovers.

Also reviewed by: S. Krishna's Books

Comments

Anonymous said…
I had the same reaction. Loved the production and industry detail but what of the widow herself? Even more anecdotal detail would have been great. Liked this wine history/bio a little more for the added personal detail: http://nonsuchbook.typepad.com/nonsuch_book/2008/10/judgment-of-paris.html

Popular posts from this blog

Another giveaway

This time, the publicist at WW Norton sent me two copies of The Glass of Time , by Michael Cox--so I'm giving away the second copy. Cox is the author of The Meaning of Night, and this book is the follow-up to that. Leave a comment here to enter to win it! The deadline is next Sunday, 10/5/08.

A giveaway winner, and another giveaway

The winner of the Girl in a Blue Dress contest is... Anna, of Diary of An Eccentric ! My new contest is for a copy of The Shape of Mercy , by Susan Meissner. According to Publisher's Weekly : Meissner's newest novel is potentially life-changing, the kind of inspirational fiction that prompts readers to call up old friends, lost loves or fallen-away family members to tell them that all is forgiven and that life is too short for holding grudges. Achingly romantic, the novel features the legacy of Mercy Hayworth—a young woman convicted during the Salem witch trials—whose words reach out from the past to forever transform the lives of two present-day women. These book lovers—Abigail Boyles, elderly, bitter and frail, and Lauren Lars Durough, wealthy, earnest and young—become unlikely friends, drawn together over the untimely death of Mercy, whose precious diary is all that remains of her too short life. And what a diary! Mercy's words not only beguile but help Abigail and Lars

Six Degrees of Barbara Pym's Novels

This year seems to be The Year of Barbara Pym; I know some of you out there are involved in some kind of a readalong in honor of the 100th year of her birth. I’ve read most of her canon, with only The Sweet Dove Died, Civil to Strangers, An Academic Question, and Crampton Hodnet left to go (sadly). Barbara Pym’s novels feature very similar casts of characters: spinsters, clergymen, retirees, clerks, and anthropologists, with which she had direct experience. So it stands to reason that there would be overlaps in characters between the novels. You can trace that though the publication history of her books and therefore see how Pym onionizes her stories and characters. She adds layers onto layers, adding more details as her books progress. Some Tame Gazelle (1950): Archdeacon Hoccleve makes his first appearance. Excellent Women (1952): Archdeacon Hoccleve gives a sermon that is almost incomprehensible to Mildred Lathbury; Everard Bone understands it, however, and laughs